![]() ![]() Above all, it is becoming increasingly obvious th a t trad itional historical discourses also im plicitly pursue goals which reach beyond the objective, ra tional and enlightened analysis of the past. It is a reflection of an interdisciplinary approach and above all of a historiographical scepticism which characterises postm odernist approaches and which is also apparent in the title of this volume: “h istories - also in the m eaning of fictional stories^ - should be considered as an alternative or a t least as a necessary completion of “h isto ry” because trad itional historiographical discourse tends to screen out a num ber of well-known contradictions. The diversity of the contributions assembled in this volume is fully in tended. K a th le e n G y sse ls (A n v e rs ) :L a d iffic ile in s c r ip t io n d e /d a n s V(H)histoire: le c o rp u s s c h w a rz -b a r t ie nĬ o rn e lia F ic h t l (M ü n c h e n ) :S is t r e n - J a m a ic a :W o m e n ’s T h e a t r e fo r C u l tu r a l D e c o lo n iz a tio n H e lm tr u d R u m p f (B e r l in ) :L ’H is to ire e t les h is to ire s d a n s le d is c o u rs l i t t é r a i r e d ’E d o u a rd G lis s a n t e t d e S im o n e S c h w a rz -B a r t C a b r e r a I n f a n te ’s Vista del amanecer en el trópico A s L a te M o d e rn is t H is to r ic a l F ic t io n S u s a n n e K le in e r t (S a a rb rü c k e n ) :T h e N ig h tm a r e o f H is to ry. W o lfg an g B in d e r (E r la n g e n ) :“ U n m u n d o e n fe rm o ? ” M a n u e l Z eno G a n d ía ’s La charca a n d N a t io n a l P u e r to R ic a n D isc o u rse ![]() S u sa n n e K le n g e l (H a lle ) :T é n é r if fe, M a r t in iq u e - A n d re B r e to n e t l ’e x p é r ie n c e d e s ile s : u n r a p p r o c h e m e n t h e rm é n e u t iq u e ? III L iterature: H is to r ies and H is to ry ![]() B ro e k ( W il le m s ta d, C u ra ç a o ) :F ro m a n O ra l T r a d i t io n to a n O ra l L i te r a tu r e V ic is s i tu d e s o f T e x ts in P a p ia m e n tu (A ru b a, B o n a ire a n d C u ra ç a o ) ![]() J u l i a n a S trö b e le -G re g o r (B e r lin ) :T h e F ic t io n o f W o m e n ’s P o w e r.D isc o u rse s o n F a m ily a n d th e R o le o f W o m e n in F is h in g C o m m u n it ie s o f th e C ié n a g a G ra n d eĪ a r t G. C ru z B e n e d e t t i (B e r l in ) :E je m p lo s d e la t r a d ic ió n n a r r a t iv a - t r a n s m i t id a e n fo rm a o ra l - d e los a f ro a m e r ic a n o s e n e l n o r te d e C o lo m b ia 161 J e a n B e sso n (L o n d o n ):E m p o w e r in g a n d E n g e n d e r in g H id d e n H is to r ie s in C a r ib b e a n P e a s a n t C o m m u n itie sī a r b a r a B u s h (S to k e -o n -T re n t) :F ro m S la v e ry to F re e d o m :B lack W o m e n, C u l tu r a l R e s is ta n c e a n d I d e n t i ty in C a r ib b e a n P la n ta t io n S o c ie tyĪ n n e d o re M. II A n o th e r H istory : Oral and H id d en D isco u rse s G a d H e u m a n (C o v e n try ) :T h e M o ra n t B a y R e b e llio n :I t s N o v e lis ts a n d H is to r ia n s W im H o o g b e rg e n ( U tr e c h t) :P a lm a re s : A C r i t ic a l V iew o n I t s S o u rces S a b in e H o fm a n n ( F ra n k fu r t a m M a in ) :R o c h e fo r t, D u T e r t r e e t le m a n u s c r i t v o lé - L a c o n s t r u c t io n d ’u n e h is to ir e co lo n ia le ![]()
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